Theatre is life on A Good Reed Review
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Each summer, A Theatre Near You takes an aspiring group of teen actors bent on pursuing careers in theatre or film, sometimes supplemented by a few strategically cast older actors, and presents an original work designed for the cast to experience, explore, and expand their theatrical awareness and depth. This year’s offering, Children of an Idle Brain, takes these eager thespians across the boundary between real and surreal. Playwright Tony Kienitz’s script begs the questions, what is reality? Are dreams real? Can one trust their perceptions? And finally, is there any crossover between one’s dreams and one’s waking life? [Continue reading]
TheatreWorks’ current offering is a riveting family history reaching back into one of the darkest times in living memory. Playwright Joe Gilford, son of Jack and Madeline Gilford, tells his parents’ harrowing tale through his 2013 play, Finks, currently on stage at the Mountain View Center for the Performing Arts. His parents, like many of their friends in the entertainment industry, were brought up before the House Un-American Activities Committee (HUAC) to testify in the early 1950s. They were bullied by the committee in an attempt to get them to turn on, or “fink” on their friends and loved ones as many in the industry did to reclaim their careers after being blacklisted for holding “subversive” beliefs. Those subversive beliefs were what today would be considered pro-labor or progressive. [Continue reading]
As has been mentioned in several articles about the Sunnyvale Community Players’ production of Fiddler on the Roof, the run was special for many reasons, not the least of which was an amazing man dealing with a terminal illness. Eric Sun made it through the run, playing beautifully every single performance, but he didn’t last very long after the run ended. Although Eric died on Thanksgiving Day in 2017, this is how so many will remember him.
Throughout the run, this show dazzled audiences garnering two standing ovations every performance, but not only because of Eric. Here’s a favorite (and iconic) snippet from closing weekend. The action on stage was impressive, but the music from under the stage was this musician’s focus:
For more articles on this tremendous community production, see:
SCP’s ‘Fiddler’ 2017 Tech Week Chronicles from the pit
‘Fiddler’ 2017 breaks all SCP records – L’Chaim!
Robert Ford isn’t exactly a household name, and it’s been over a decade since he published his first (and seemingly only) novel. He went on to write several award-winning one-act and full-length plays that have been produced both in the U.S. and in Europe, but his novel remains a unique work. The Student Conductor was first published in the U.S. in 2003 with subsequent editions in Europe and Australia. It gives readers a look into Ford’s imagination as he conjures up plenty of intrigue and heart. He also guides readers deep into the magical world of classical music giving them an idea of just what it takes to become a professional symphony conductor. [Continue reading]
Sapiens: A Brief History of Humankind, by Yuval Noah Harari, was first published in the U.S. in 2015, and it took the country by storm. It quickly became a New York Times best seller and is used in numerous history courses around the country. Great Britain saw its English language release a year earlier in 2014, but the author’s countrymen saw it first published in his native Hebrew a few years before that in 2011. Beyond that, the book has been translated into over thirty languages worldwide, and at least the American English version is credited as being translated by Harari, with help from John Purcell and Haim Watzman. Why did Sapiens:… make such a splash around the world? It tells a fascinating story. Harari is an Israeli born historian and a tenured history professor at Hebrew University of Jerusalem with a passion for how every human endeavor affects history and the world. [Continue reading]
There is no question that music touches us deeply. There are also myriad studies showing the cognitive benefits of listening, but there are even more benefits when actively participating in making music. For the purposes of this discussion, the assumption is that the reader, for whatever reason, is now intent on learning to play a musical instrument. Whether their goal is personal or professional, an initial instrument must be chosen, i.e., they have to start somewhere. This commentary proposes that the piano be that starting point. [Continue reading]
Many years ago when I was still married, my husband asked me if I would have become a musician if my parents hadn’t played instruments. I told him that there was no way to know for sure if my study and lifelong affinity for music would have happened had I not had my early childhood exposure. That answer surprised him a bit. He knew that I grew up with music as a very important part of our family life, a subject I wrote about in my book, Remembering Mom and Dad, in the story entitled Music in the House. He also frequently had to put up with my practicing various instruments for my numerous musical endeavors. [Continue reading]
In REMEMBERING MOM AND DAD, I make the jump from analyzing the stories to telling them. The book is a collection of essays and short stories written over time remembering Bayla and Jerry Jacobson. The stories include personal recollections from my experience along with the retelling of numerous events related to me in conversations over the years. Some of the stories included are: “Music in the House”, “The Parenthood Plunge”, “The Jacobson Pet Parade”, “Disney Days of Summer”, and many more. Interested?
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