Life is theater and music on A Good Reed Review
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“A world without caste would set everyone free.”
The book is Caste: The Origins of Our Discontents, and it should be required reading for everyone, particularly in the United States. Most people in the U.S. are aware of the nation’s history of slavery that was theoretically vanquished after the Civil War. As many historians and journalists have written, it wasn’t really, and there is a much deeper pathology at play. Wilkerson crystalizes the formation and perpetuation of the caste system that persists to this day in the U.S. through a detailed exploration of how it relates to caste systems in India and in WWII Germany in her latest book which is part personal essay, part investigative journalism, and part history text. As difficult as many of the stories she relates are, she also offers ideas on how we might address and reform this vicious hierarchy, though to do so will require effort on all our parts. To do so would also allow us to finally achieve the key ideal set forth in our Declaration of Independence, i.e., true equality of all people. While the founders didn’t actually mean everyone, or even all men, the ultimate ideal expressed is still one to which we should all aspire. Instead, we have to date been plagued by a system of equality that is based on inequality. In other words, for the favored members of society to be equal amongst themselves, all others must be unequal. This U.S. system has been based on caste since before the founding of the nation despite the advances in equality stated in the law. [Continue reading]
In the preface of Oliver Sacks’ landmark book Musicophilia, he muses about how human interactions with music might puzzle a highly intelligent alien being with no frame of reference conjuring a scene from the world of Arthur C. Clarke. Science fiction aside, music is central to human existence, and yet on the surface it’s confounding trying to discern its purpose. Music can touch us in ways nothing else can. It can provide great solace. It can bring us to tears. It can excite us and inspire us. It can stimulate the brain and enhance learning. It can also torment us. Music can have these effects on us just by listening as well as in the course of making music. In the face of certain brain injuries or disease, it can also provide insights helping with diagnosis and can reach people who are otherwise uncommunicative. Drawing on extensive case studies, Dr. Sacks instructs, entertains, and enlightens readers on the complexities of human perceptions of music and just how important music is in innumerable circumstances. While this book will fascinate any musician wanting to understand their own musical drive, it will also delight non-musicians by opening up a whole world of perception they previously took for granted. [Continue reading]
I have long loved the world of Star Trek and science fiction in general. I can remember imagining possibilities as a child while walking to school, wishing that it were possible to be beamed up to a starship to travel to new worlds and join with others in exploring the vastness of space. In the real world of my childhood, I got to watch, along with the rest of the world, as Neil Armstrong and Buzz Aldrin walked and jumped on the moon for the first time. Although very different from the pictures painted by my favorite television series, it was a breathtaking adventure that sparked many dreams. I later studied space travel and learned how manned space flight changed over time beginning with the U.S. Gemini and Apollo programs through the advent of Skylab, Mir, and the International Space Station. Various probes and telescopes continue to explore beyond the earth’s boundaries to give us crucial information about what’s really out there. We still haven’t achieved the level of development depicted in the Star Trek universe, nor have we discovered the kinds of life imagined by various science fiction writers, but we have grown outward and created stories, both real and imagined, related to what’s beyond our little blue planet. [Continue reading]
Since surviving the pandemic of 2020 Bea continued eating all of her meals at home. Even after the crisis had passed, although she ventured out for work and various activities, for Bea, one dinner was much like the next. Her meal consisted of a plate of rice or noodles covered in veggies, chicken, and cheese, and she zapped it in the microwave. She lived alone and loathed housework and cooking, so anything that kept those to a minimum was a plus. … She was frozen in place for at least 20 seconds as the beam engulfed her hands before the microwave stopped humming and released her. [Continue reading]
Years ago, although I lived and worked on the west coast, I spent a good deal of time near Washington, D.C. on some temporary work assignments. On these extended trips with my technical team, I had some time to explore the various museums and monuments on the weekends after some very long work weeks. Little did I know that one such outing would blossom into a vivid lesson on how easily people can be swayed by exaggeration or even completely false information presented as fact, eclipsing reality in dramatic fashion. [Continue reading]
Writing can be a powerful tool. Written words have the power to induce strong emotions. They give us a way to record history, events, and ideas. They can entertain and inspire. In telling a story, a writer is often trying to elicit a strong response in their readers. As a reader, it can be quite enjoyable to lose one’s self in a well-told story that runs us through a variety of emotional responses.
With the ubiquity of text messaging, the internet, email, and social media, many of us are thrust into the role of writer as well as reader on a daily basis. We share ideas and concerns as we connect with friends and foes, often making new friends along the way. We debate, we cajole, we support, and we entertain through our written exchanges. And sadly, we can sometimes push people we care about away. [Continue reading]
Professor Heather Cox Richardson, a prominent professor of American history at Boston College, has gained notoriety in the last several months as the author of a popular series entitled “Letters from an American” which appear on her website as well as on her professional Facebook page on a nightly basis. She began writing these letters in early November 2019 in response to numerous questions she received trying to make sense of the political events of the day. In these letters she provides a nightly roundup of the day’s political news, and along the way, she provides lessons delving the depths of American history to show where many of these ideas and tactics originated. On April 1, 2020 (after she was well into her nightly series), her latest book, How the South Won the Civil War: Oligarchy, Democracy, and the Continuing Fight for the Soul of America, was released. In this book, she describes what she refers to as the American paradox. This paradox is based on the principle that throughout American history, equality depended on inequality. She shows how this paradox started before the founding of the country and ripples throughout our nation’s history driving much of the division we see in American society today. [Continue reading]
At the end of Part 4 of my journey, I was regularly playing in three community symphonic bands, a couple of small ensembles, and playing in the pit for musical theater any chance I got. I was playing between five and eleven musical runs a year in between everything else while also continuing my software/systems engineering career. Outside of work, my routine amounted to a cycle of practice, performance, and repeat. This included a minimum of three rehearsals per week and a maximum of either a performance or rehearsal every night along with an added rehearsal or performance during the day on the weekends. On those occasions when I didn’t have an organized rehearsal or performance in the evening, I would practice on my own for an hour or two when I got home from work, and even longer on the weekends. For the first three years after getting back into organized music, I was also taking flute lessons one evening a week and getting in a bit of flute practice every day or evening at some point. I suppose in some respects, I was making up for all that lost time during my 16 year hiatus from organized music. [Continue reading]
With the country in the throes of an ever expanding pandemic, all non-essential group activities have been suspended. This is of course a necessary measure to help slow the spread of a serious health threat. Numerous businesses are affected, and many won’t recover with such a sustained stoppage of commerce. Not unlike sporting events, this is also a particularly devastating blow to the live performing arts where audiences normally gather to enjoy the efforts of artists presenting theatre, music, and dance right in front of them. Audiences cannot gather in person at this point, and realistically with social distancing, performers can’t perform in their normal fashion either since that would put them in close proximity to one another. In an attempt to keep the arts alive, even in these difficult times, this situation has sparked a widespread and creative use of technology. [Continue reading]
The holiday season is upon us, and there are myriad music and theatrical events to celebrate the season. It is also the heart of the football season where a different kind of theater plays out all over the country. For some, the drama is in the game itself. … there is another kind of spectacle playing out in stadiums across the country, but this one engages fans from all walks of life. … Finally, there are the extreme fans. These are the ones who take fandom and raise it to a performance art form bringing a type of theater to light … My friend Mark is one such fan. … Today, many 49er aficionados know him as 49erMark. [Continue reading]
Alex and Rowan Jeffries shared much in life. Being fraternal twins, that sharing started with their birthday. They didn’t share a room growing up, as their parents didn’t think that it proper for a girl and a boy to do so long term. From the time they were out of their cribs, they enjoyed their own bedrooms, independent sanctuaries to pursue their private thoughts wherever those took them. Even though they didn’t share a room growing up, they were very close. Now in their late 40s and well-established in their careers in academia with full professorships in their respective fields at the same university, Alex in biochemistry and Rowan in music, they shared a house…Beyond their academic fields, there was one other area of life that they didn’t share – their personal philosophies. Rowan had a strong faith and belief in God. Alex was his opposite number and was just as sure that there was no God. This particular divide sparked almost daily debates between the twins. [Continue reading]
In December 2018, TCK Publishing released a new science fiction novel, Kill Code, by Clive Fleury. This gripping dystopian story is packed with action, intrigue, and a hero who might just have bitten off more than he bargained for as he tries to right the wrongs he’s seen all too often. In a not-too-distant future look at the little blue marble in space, the planet is ravaged by climate changes. The planet, and especially the Los Angeles area, has heated beyond all imagination, and there are really only a few hours of daylight that are even partially tolerable. The oceans have risen so quickly that weekly measurements show massive encroachment on waterfront areas, and humans have been pushed further and further inland. Over the top of it all, corruption is rampant, normal citizens have lost almost everything, and Hogan Duran wants to do something about it. [Continue reading]
In December 2012, I wrote an article about the role of the pit musician in musical theatre. That article was written from a musician’s point of view and focused on the physical environment; equipment; training; mindset of performers who worked in the shadows; versatility that was required of pit musicians; and only mentioned compensation as a cursory aside. This article takes a closer look at the differences between pit musicians who live to play as opposed to those who play to live and discusses the challenges community theaters face with respect to pit musicians. [Continue reading]
In REMEMBERING MOM AND DAD, I make the jump from analyzing the stories to telling them. The book is a collection of nonfiction essays and short stories written over time remembering Bayla and Jerry Jacobson. The stories include personal recollections from my experience along with the retelling of numerous events related to me in conversations over the years. Some of the stories included are: “Music in the House”, “The Parenthood Plunge”, “The Jacobson Pet Parade”, “Disney Days of Summer”, and many more. Interested?
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