Theatre is life on A Good Reed Review
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Hershey Felder brings another of his unique musical biographies to TheatreWorks. The Bay Area premiere of Our Great Tchaikovsky gives audiences insight into the life of Pyotr Ilyich Tchaikovsky. Like the other portrayals Felder has done in previous seasons, he takes on the persona of Tchaikovsky, as well as of various people in the composer’s life. Compared to his portrayals of Irving Berlin and Ludwig van Beethoven, this one is a little different. It is different because his subject is a little different. Tchaikovsky, while a musical genius, led a personal life filled with fear, strife, and chaos because he didn’t fit the social mold demanded by his culture. The composer’s music is still front and center in this production, music that Felder dispatches with his characteristic verve and virtuosity. He is as adept at playing Tchaikovsky’s music as he is at playing the music of Berlin and Beethoven. The changes this time are that he adds a bit more of himself in the storytelling, and the story itself is much darker than the previous Felder shows that have reached the TheatreWorks stage. [Continue reading]
As has been mentioned in several articles about the Sunnyvale Community Players’ production of Fiddler on the Roof, the run was special for many reasons, not the least of which was an amazing man dealing with a terminal illness. Eric Sun made it through the run, playing beautifully every single performance, but he didn’t last very long after the run ended. Although Eric died on Thanksgiving Day in 2017, this is how so many will remember him.
Throughout the run, this show dazzled audiences garnering two standing ovations every performance, but not only because of Eric. Here’s a favorite (and iconic) snippet from closing weekend. The action on stage was impressive, but the music from under the stage was this musician’s focus:
For more articles on this tremendous community production, see:
SCP’s ‘Fiddler’ 2017 Tech Week Chronicles from the pit
‘Fiddler’ 2017 breaks all SCP records – L’Chaim!
Robert Ford isn’t exactly a household name, and it’s been over a decade since he published his first (and seemingly only) novel. He went on to write several award-winning one-act and full-length plays that have been produced both in the U.S. and in Europe, but his novel remains a unique work. The Student Conductor was first published in the U.S. in 2003 with subsequent editions in Europe and Australia. It gives readers a look into Ford’s imagination as he conjures up plenty of intrigue and heart. He also guides readers deep into the magical world of classical music giving them an idea of just what it takes to become a professional symphony conductor. [Continue reading]
Sapiens: A Brief History of Humankind, by Yuval Noah Harari, was first published in the U.S. in 2015, and it took the country by storm. It quickly became a New York Times best seller and is used in numerous history courses around the country. Great Britain saw its English language release a year earlier in 2014, but the author’s countrymen saw it first published in his native Hebrew a few years before that in 2011. Beyond that, the book has been translated into over thirty languages worldwide, and at least the American English version is credited as being translated by Harari, with help from John Purcell and Haim Watzman. Why did Sapiens:… make such a splash around the world? It tells a fascinating story. Harari is an Israeli born historian and a tenured history professor at Hebrew University of Jerusalem with a passion for how every human endeavor affects history and the world. [Continue reading]
There is no question that music touches us deeply. There are also myriad studies showing the cognitive benefits of listening, but there are even more benefits when actively participating in making music. For the purposes of this discussion, the assumption is that the reader, for whatever reason, is now intent on learning to play a musical instrument. Whether their goal is personal or professional, an initial instrument must be chosen, i.e., they have to start somewhere. This commentary proposes that the piano be that starting point. [Continue reading]
Many years ago when I was still married, my husband asked me if I would have become a musician if my parents hadn’t played instruments. I told him that there was no way to know for sure if my study and lifelong affinity for music would have happened had I not had my early childhood exposure. That answer surprised him a bit. He knew that I grew up with music as a very important part of our family life, a subject I wrote about in my book, Remembering Mom and Dad, in the story entitled Music in the House. He also frequently had to put up with my practicing various instruments for my numerous musical endeavors. [Continue reading]
In REMEMBERING MOM AND DAD, I make the jump from analyzing the stories to telling them. The book is a collection of essays and short stories written over time remembering Bayla and Jerry Jacobson. The stories include personal recollections from my experience along with the retelling of numerous events related to me in conversations over the years. Some of the stories included are: “Music in the House”, “The Parenthood Plunge”, “The Jacobson Pet Parade”, “Disney Days of Summer”, and many more. Interested?
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