Theatre is life on A Good Reed Review
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Music is in the air this holiday season. While there are numerous concerts and stage productions to choose from, there are two musical events fast approaching in the South Bay that are not to be missed.
First up is the 24th Annual San Jose Saxophone Christmas on the third Saturday in December (the 16th this year). … The second not-to-be-missed music event is Warmest Christmas Traditions presented by Schola Cantorum on Sunday, 17 December 2017, at the Mountain View Center for the Performing Arts. [Continue reading]
During the holidays, the hype and family togetherness can sometimes be just a little overwhelming. It seems that it’s all about the kids, and the presents, and the singing, and the egg nog. Instead of drowning in that last one to escape, there is another remedy for someone seeking something that’s just a little less saccharine – The Santaland Diaries. What started in 1992 as a NPR holiday tradition that catapulted memoirist David Sedaris to international fame, has reached the TheatreWorks stage in their “alternate” holiday production this year. Joe Mantello adapted Sedaris’ essay into a full one-act, one-man play in 1996, and it has enjoyed seasonal success in regional, college, and in some cases even high school theatre ever since. In short, this little gem details Sedaris’ experiences as Crumpet the elf, navigating the treacherous landscape of Macy’s in Manhattan during the holiday season. [Continue reading]
TheatreWorks presents Mark Brown’s adaptation of the 1872 Jules Verne classic novel, Around the World in 80 Days, and has audiences whooping at the antics on this whirlwind, 80-day adventure compressed into 120 hilarious minutes (including intermission). Although the show is billed as a holiday adventure, the only holiday aspects are the festive adornments throughout the house at the Lucie Stern Theatre, a bit of snow along the journey, and the timing of the target arrival home from the adventure. It’s good, clean, family-friendly entertainment that will have even the “grinchiest” audience member smiling. The adventure intertwines technology and romance across the globe in that bygone era of the late 19th century. [Continue reading]
The Sunnyvale Community Player’s run of Fiddler on the Roof has ended, but it is still worth savoring. Enjoy these snippets, first from rehearsal:
In performance, this show dazzled audiences. If you weren’t able to see Sunnyvale Community Player’s production before it finished, here’s a favorite (and iconic) snippet from closing weekend. The action on stage was impressive, but the music from under the stage was this musician’s focus:
Robert Ford isn’t exactly a household name, and it’s been over a decade since he published his first (and seemingly only) novel. He went on to write several award-winning one-act and full-length plays that have been produced both in the U.S. and in Europe, but his novel remains a unique work. The Student Conductor was first published in the U.S. in 2003 with subsequent editions in Europe and Australia. It gives readers a look into Ford’s imagination as he conjures up plenty of intrigue and heart. He also guides readers deep into the magical world of classical music giving them an idea of just what it takes to become a professional symphony conductor. [Continue reading]
Sapiens: A Brief History of Humankind, by Yuval Noah Harari, was first published in the U.S. in 2015, and it took the country by storm. It quickly became a New York Times best seller and is used in numerous history courses around the country. Great Britain saw its English language release a year earlier in 2014, but the author’s countrymen saw it first published in his native Hebrew a few years before that in 2011. Beyond that, the book has been translated into over thirty languages worldwide, and at least the American English version is credited as being translated by Harari, with help from John Purcell and Haim Watzman. Why did Sapiens:… make such a splash around the world? It tells a fascinating story. Harari is an Israeli born historian and a tenured history professor at Hebrew University of Jerusalem with a passion for how every human endeavor affects history and the world. [Continue reading]
There is no question that music touches us deeply. There are also myriad studies showing the cognitive benefits of listening, but there are even more benefits when actively participating in making music. For the purposes of this discussion, the assumption is that the reader, for whatever reason, is now intent on learning to play a musical instrument. Whether their goal is personal or professional, an initial instrument must be chosen, i.e., they have to start somewhere. This commentary proposes that the piano be that starting point. [Continue reading]
Many years ago when I was still married, my husband asked me if I would have become a musician if my parents hadn’t played instruments. I told him that there was no way to know for sure if my study and lifelong affinity for music would have happened had I not had my early childhood exposure. That answer surprised him a bit. He knew that I grew up with music as a very important part of our family life, a subject I wrote about in my book, Remembering Mom and Dad, in the story entitled Music in the House. He also frequently had to put up with my practicing various instruments for my numerous musical endeavors. [Continue reading]
In REMEMBERING MOM AND DAD, I make the jump from analyzing the stories to telling them. The book is a collection of essays and short stories written over time remembering Bayla and Jerry Jacobson. The stories include personal recollections from my experience along with the retelling of numerous events related to me in conversations over the years. Some of the stories included are: “Music in the House”, “The Parenthood Plunge”, “The Jacobson Pet Parade”, “Disney Days of Summer”, and many more. Interested?
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