Theatre and music are life on A Good Reed Review
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Sunnyvale Community Players (SCP) continues its season of unconventional heroes 26 October – 10 November 2019 with Urinetown: The Musical. This one is a satirical comedy that first hit the stage in 2001. The show has book by Greg Kotis, music by Mark Hollmann, and lyrics by Hollmann and Kotis. The music and lyrics hearken back to Kurt Weill and Bertolt Brecht both in musical style and in its lampooning of humanity’s darker propensities. It takes on the legal system, capitalism, and most grievously – corporate greed, while also focusing on social responsibility and revolution highlighting an unlikely hero. Along the way, it not only brings Weill and Brecht to mind, it also has callouts to several other musicals and parodies the Broadway musical art form itself. [Continue reading]
Alex and Rowan Jeffries shared much in life. Being fraternal twins, that sharing started with their birthday. They didn’t share a room growing up, as their parents didn’t think that it proper for a girl and a boy to do so long term. From the time they were out of their cribs, they enjoyed their own bedrooms, independent sanctuaries to pursue their private thoughts wherever those took them. Even though they didn’t share a room growing up, they were very close. Now in their late 40s and well-established in their careers in academia with full professorships in their respective fields at the same university, Alex in biochemistry and Rowan in music, they shared a house…Beyond their academic fields, there was one other area of life that they didn’t share – their personal philosophies. Rowan had a strong faith and belief in God. Alex was his opposite number and was just as sure that there was no God. This particular divide sparked almost daily debates between the twins. [Continue reading]
Sometimes a show touches you in ways that you don’t really expect going in. My recent run of The Will Rogers Follies was such a show. I wrote a previous commentary/promotional article chronicling the journey to opening from the pit’s perspective, and the music was both challenging and very rewarding to play, but the show became so much more than any one piece of the production. The run finished several weeks ago. Still, the story continues to linger in my mind as I contemplate how things could be if more people held attitudes like Will Rogers. The show is a musical with book by Peter Stone, music by Cy Coleman, lyrics by Betty Comden and Adolph Green, and opened on Broadway in May 1991. The story, told by the title character, takes a biographical look at the life and times of Will Rogers via musical acts, conversations, and monologues that contain many quotes from Rogers’ actual speeches and writings. Rogers was known as an entertainer and humorist, but more than that, he was a keen observer of people. He had an almost unheard of talent for poking fun, even at controversial subjects, without offending anyone. He’s also very well-known for stating that he never met a man he didn’t like. [Continue reading]
TCK Publishing brings a lot of new authors to light, and one of their latest is Jenna Ryan. Her debut novel, The Channeler: A Future Forewarned (Continuum Series Book 1), was published in January 2019. Classified as a young adult fantasy romance novel, Ryan covers a lot of ground in the book’s 241 pages. The story, told in first person by protagonist Caleb Michael Swift, nicely captures the college experience while mixing in copious amounts of supernaturally inspired angst. Caleb seeks a normal life as he navigates his junior year in college. He has lived with his “aunt” Nikki from a very young age. Readers eventually find out that Nikki isn’t really his aunt. She was his mother’s dearest friend, and she took him in after his mother’s untimely death. Caleb never knew his father, and as the story unfolds, he learns some very surprising things about him. [Continue reading]
In December 2012, I wrote an article about the role of the pit musician in musical theatre. That article was written from a musician’s point of view and focused on the physical environment; equipment; training; mindset of performers who worked in the shadows; versatility that was required of pit musicians; and only mentioned compensation as a cursory aside. This article takes a closer look at the differences between pit musicians who live to play as opposed to those who play to live and discusses the challenges community theaters face with respect to pit musicians. [Continue reading]
In REMEMBERING MOM AND DAD, I make the jump from analyzing the stories to telling them. The book is a collection of nonfiction essays and short stories written over time remembering Bayla and Jerry Jacobson. The stories include personal recollections from my experience along with the retelling of numerous events related to me in conversations over the years. Some of the stories included are: “Music in the House”, “The Parenthood Plunge”, “The Jacobson Pet Parade”, “Disney Days of Summer”, and many more. Interested?
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Reviews: Theatrical / Book
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