Bob Fosse collaborated with John Kander and Fred Ebb to create a show that in 1975 first dazzled audiences with its glitz, glamor, murder, and corruption, although the critical response was initially mixed. The show later enjoyed a 1996 revival that hasn’t quit. Chicago is that show, and it exemplifies the Fosse style. It is based on a play by Maurine Dallas Watkins. Watkins’ play was a satirical story based on two real-life, high profile murder cases from 1924 that she covered as a reporter for the Chicago Tribune. A popular musical form of the time, jazz, figures very heavily in the musical score, and Palo Alto Players is pleased to open its 85th season with a spirited, high quality production of this classic Fosse extravaganza. Continue reading
Chicago the musical
Inside “Chicago”
This isn’t a review as that would be rather inappropriate given the author is part of the band. This is instead a view from behind the wall of City Lights’ current production of “Chicago” – behind the wall because that’s where the clarinet player sits. The experience is quite different “working” at City Lights than it is attending the opening gala intent on writing a review of the production. Continue reading

