Year: 2012

Willingly suspend disbelief and just watch the rainbow

A Good Reed Review Review ,

By Ande Jacobson 

South Bay Musical Theatre’s current production, “Finian’s Rainbow”, requires willing suspension of disbelief.  The musical with book by E. Y. Harburg and Fred Saidy, lyrics by Harburg, and music by Burton Lane originally hit the stage in 1947, so this is vintage Broadway attempting to tackle social and political issues of the time with satire, romance, and fancy.  The story is disjoint and doesn’t work, though if audiences don’t take it too seriously the show makes for an entertaining and uplifting evening. Continue reading →

Cirque du Soleil’s TOTEM – an unforgettable journey

A Good Reed Review Review , ,

By Ande Jacobson

Cirque du Soleil is at its heart a traveling circus, but it’s also a ballet of sorts. Each Cirque du Soleil show attempts to tell a story, or at least unites the acts in a common theme while drawing the audience in to the well-known color and grandeur. This review is from the 2011 Thanksgiving matinee performance of TOTEM during their San Francisco fall run, but this is the same troupe coming to San Jose in March 2012 via the scenic route after wintering across the pond in London, UK. Continue reading →

Traversing paths both traditional and modern

A Good Reed Review Review ,

By Ande Jacobson

Manhattan’s Lower East Side has long been home to a substantial Jewish population, and Susan Sandler’s “Crossing Delancy” takes us there in June of 1985 to witness a tradition handed down through the generations. Continue reading →

Power is a Potent Aphrodisiac

A Good Reed Review Review , ,

By Ande Jacobson

“Power tends to corrupt, and absolute power corrupts absolutely.  Great men are almost always bad men.”  While often attributed to JFK, Winston Churchill, and Richard Nixon, 19th century moralist and historian Lord Acton originally penned this famous quote in 1887 in a letter to Bishop Creighton as part of their ongoing correspondence regarding moral standards as applied to religious and political leaders.  Clearly, the quote is just as relevant today as it was then.  Intoxicated by the power they command, abuses come in many forms including those of a sexual nature, and indiscretions, proven or not, don’t stay hidden for long.  Unfortunately, the families and victims of powerful men are often caught in the crossfire. Continue reading →

Bone Marrow is Thicker Than Water

A Good Reed Review Review , ,

By Ande Jacobson

Dragon Productions’ current show, “Marvin’s Room”, is vaguely reminiscent of that famed late 1970s soap opera parody “Mary Hartman, Mary Hartman”.  The story reads like a soapy satire, particularly in Act 1, though it’s not quite as bizarre as the aforementioned show. Continue reading →

Much to Moon Over

A Good Reed Review Review , ,

By Ande Jacobson

American playwright Eugene O’Neill, son of Irish immigrant actor James O’Neill and Mary Ellen Quinlan, lived a varied life pursuing two distinct careers, the second of which spawned his rich classics drawn from his first career at sea and from characters based on members of his immediate family.  O’Neill’s “A Moon for the Misbegotten” is his last completed work, and premiered on stage in 1947. Continue reading →