Paroxysms, circa 1880s, abound at the Pear

By Ande Jacobson

According to a handy, modern medical dictionary, a paroxysm is defined as:

  1. a sudden violent attack, especially a spasm or convulsion, or
  2. the abrupt worsening of symptoms or recurrence of disease.

In a broad sense, the first definition fits the 1880s meaning in terms of all outward appearances, but that’s not exactly what they meant by the word in those days – at least as it’s used in Sarah Ruhl’s play, In the Next Room or the vibrator play, currently on stage at the Pear Theatre. This work was inspired by Rachel P. Maines‘ research. Maines specializes in the history of technology and accidently discovered an odd connection between medical practice of late 19th century and technological advances in the use of electricity based on ads from numerous American women’s magazines from the era. The new gadget of the time was the precursor to the modern vibrator, and it was used to treat the nebulous, mostly female malady known as “hysteria” through “manipulation of the uterus” resulting in “paroxysms” that were supposed to fix the imbalance. Looking back from the present, it seems far more likely that the symptoms this 19th century device was supposed to treat resulted from taboos surrounding intimacy, ignorance, fiendish fashion norms, gender discrimination, and an extremely patriarchal society. Continue reading

What if…

By Ande Jacobson

What if you could explore the impacts of everything you’ve ever done along with everything you’ve never done? Constellations (written by Nick Payne and currently on stage at TheatreWorks) combines the science surrounding the concept of the multiverse (i.e., multiple universes existing simultaneously) through the lives of two people who meet by chance, fall in love, and live out their lives together; or maybe they don’t. Continue reading

‘Lord of the Flies’ reveals the savageness within us

By Ande Jacobson

A Theatre Near U tackles the stage adaptation of William Golding’s classic novel, Lord of the Flies, a story touching on timeless themes showing just how tenuous a thing civilization can be. Golding’s novel was published in 1954, a time of high tension in various parts of the world. He’s quoted as saying that writing this story was “like lamenting the lost childhood of the world.” He knew of whence he wrote having lived through both world wars, served in the Royal Navy in WWII, and spent several years as a schoolmaster. As such, he was well-versed in the fortitude and foibles of humanity overall, and of schoolboys in particular. Continue reading

FMT lets its Freak Flag fly!

By Ande Jacobson

This summer, Foothill Music Theatre (FMT) shows its heart with its rendition of Shrek The Musical. The show is based on the animated DreamWorks film, Shrek, and it puts all of the magic and message of the film live on stage. The musical version (with book and lyrics by David Lindsay-Abaire and music by Jeanine Tesori) debuted on Broadway in 2008 and in London in 2011. Since then, the show continues to be a family-friendly audience favorite as it now makes the rounds in regional and community theatres.

The story is, in broad strokes, a sassy mashup of traditional fairy tales mixed with some current events. Its well-known Freak Flag anthem packs a powerful, positive message about celebrating one’s uniqueness. The lively story turns the traditional boy meets girl theme on its head with a clever twist and sends audiences home in high spirits. Continue reading

Take a farcical romp back to high school

By Ande Jacobson

A Theatre Near U is presenting another Tony Kienitz world premiere, this time taking a farcical trip down memory lane back to the all-important crises of high school. His latest work, Like, Like, Like?, presents a unique view of high school to which audience members of all ages can relate. For those whose high school years are viewed from a distance through the rear-view mirror of their life, this presentation will likely trigger a bit of nostalgia. For those in the midst of their high school years, these young actors may embody a view of their friends with a level of familiarity. And for those eagerly awaiting to start high school, the characterizations may show them that they have nothing to fear and plenty to savor. Continue reading

Hershey Felder conjures an incredible portrait of ‘Beethoven’ at TheatreWorks

By Ande Jacobson

We have all heard his music. Ludwig van Beethoven, famous for his nine symphonies along with his ubiquitous piano compositions and other chamber works, is more than just the sum of his music. Hershey Felder is back on the TheatreWorks stage telling the fascinating story of Beethoven’s life from the perspectives of both Gerhard von Breuning and the maestro himself. Hershey Felder, Beethoven, with text by Hershey Felder, is based on Dr. Gerhard von Breuning’s personal recollections published in 1874 in “Aus dem Schwarzspanierhaus.” Felder’s presentation, punctuated by his piano virtuosity, is absolutely stunning. Continue reading

It’s time for ‘Pear Slices 2017’

By Ande Jacobson

For the 14th time, the Pear lovingly offers up eight new slices of theatre in the form of short, one-act plays (in reality more akin to a series of single scenes) that provide a full evening (or afternoon) of entertainment. What started as an experiment has become an annual event showcasing somewhere between six and nine new works, written by members of the Pear Playwrights Guild, and performed by a select troupe of actors assuming multiple roles throughout the presentation. This year’s Slices includes:

  • For Art’s Sake by Elyce Melmon
  • Stella Wind by Bridgette Dutta Portman
  • Mirror to Face by Leah Halper
  • Anasazi Breakdown by Douglas Rees
  • Deuce Cooper: The Bloomfield Case by Paul Braverman
  • Aboriginal by Susan Jackson
  • Meantime in Between Time by Leah Halper
  • Proposal by Max Gutmann

Continue reading

‘Rags’ seeks the virtues of Lady Liberty at TheatreWorks

By Ande Jacobson

Lady Liberty has long been the symbol of America, offering the promise of freedom and opportunity to all who pass by her in their journey toward a better life. Rags, currently in production at TheatreWorks, takes a look at a community of Jewish immigrants on the Lower East Side of Manhattan (circa 1910) trying mightily to overcome the challenges that face them. It was a difficult time, and these eager immigrants fled desperate conditions and persecution in Mother Russia to build new lives for themselves and their families. From the start, hucksters and thugs are never far away, lying in wait to prey upon the naïve newcomers. Although a period piece, many of the issues in the story are just as relevant in today’s socio-political climate. Continue reading

The Pear’s “Uncanny Valley” touches the heart of the Silicon Valley

uncanny-valley-2By Ande Jacobson

The Pear takes a stunning leap into the world of science fiction with Thomas Gibbons’ play, Uncanny Valley. What constitutes sentience, and more than that, what makes a person a person? Taking a further leap, can we conceive of a time when a robot could be considered a person? The world of science fiction has explored this in myriad ways over the years. In the mid-20th century, Isaac Asimov set forth the Three Laws of Robotics in his short story Runaround (one of the stories in the I Robot collection) which stated:

  • A robot may not injure a human being or, through inaction, allow a human being to come to harm.
  • A robot must obey the orders given it by human beings except where such orders would conflict with the First Law.
  • A robot must protect its own existence as long as such protection does not conflict with the First or Second Laws.

Continue reading

Mystery, murder, mayhem, and magic abound in SBMT’s “City of Angels”

sbmt-coa-program-1By Ande Jacobson

Who doesn’t love a tangled murder mystery? SBMT has one in City of Angels, complete with a full orchestra highlighting all the twists and turns in the story of a 1940s detective novel being transformed into a Golden Age Hollywood movie. This show (with book by Larry Gelbart, music by Cy Coleman, and lyrics by David Zippel) captures the film noir feel of the period, embellishes it with witty dialogue and a classy jazz score, and neatly packages it into an evening of exquisite theatre. Continue reading