Playing to live vs. living to play

By Ande Jacobson

In December 2012, I wrote an article about the role of the pit musician in musical theatre. That article was written from a musician’s point of view and focused on the physical environment; equipment; training; mindset of performers who worked in the shadows; versatility that was required of pit musicians; and only mentioned compensation as a cursory aside. This article takes a closer look at the differences between pit musicians who live to play as opposed to those who play to live and discusses the challenges community theaters face with respect to pit musicians. Continue reading

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