While I have no plans to return to performance myself, I recently had the privilege of attending the first orchestra rehearsal for Sunnyvale Community Players’ (SCP) upcoming production of Sweeney Todd, not as a player, not as the music director, but as a very interested observer. I arrived early as the orchestra members trickled into the lobby of the theater to assemble the ensemble. Once everyone was in place, some of the players were noodling a bit or practicing some of the challenging sections of their parts while others were talking quietly. Eventually, the music director arrived carrying an amp for one of the keyboard players. He set up the amp, handed out a revised cut sheet, and then took his place in front of his orchestra to begin the rehearsal at the top of the score. Music director Val Zvinyatskovsky was the youngest person present at the tender age of 17, and yet he had the attention and command of the room. While it was the first time they had come together in this particular ensemble, everyone was ready to work. Continue reading
musical theater
My first pit experience
Last fall, I had the privilege of both music directing an exciting community production of Urinetown, and mentoring a very promising young musician through his first pit experience. It’s one thing to watch a production unfold from the podium, keeping track of all the various things that a music director must, but it is quite another to watch the show develop through a young musician’s eyes, particularly one who is new to the pit perspective. This was an adult community theater production, and this young keyboard player was the only kid in the pit. Everyone else in our mighty little orchestra was an experienced adult player. Continue reading

