In finding one’s Mecca, it’s the journey that counts

By Ande Jacobson

The Pear’s current production is another alarmingly topical piece from the not-too-distant past. This time, audiences are transported back to 1974 and the rural village of New Bethesda (properly named Nieu-Bethesda) in the Karoo region of South Africa. Athol Fugard’s play, The Road to Mecca, incorporates themes of racial and gender inequality and religious fervor that are so prevalent in the rural South African culture of the time. These issues are in the forefront of this work, at times uncomfortably so. Additionally, the themes of trust, love, aging, and artistic freedom and inspiration are explored in a powerful way. This is a challenging piece, and the Pear gives it the respect and sensitivity it deserves. Continue reading

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