This year, Foothill Music Theatre (FMT) is presenting that long-time family favorite, The Sound of Music. The show, with music by Richard Rodgers, lyrics by Oscar Hammerstein II, and book by Howard Lindsay and Russel Crouse, made its Broadway debut in 1959 with Mary Martin heading the cast as Maria. Today, far more people are familiar with the 1965 film version of the show as they picture Julie Andrews singing at the top of her lungs while running around an enchanting Alpine meadow. There’s a lot to love about The Sound of Music, and it has made the stage rounds in regional, community, and scholastic theaters for decades. The music is familiar to theater-goers young and old, and the story is touching with more than a hint of danger, a danger that has recently become all too recognizable. Long time standards from the show (and the movie) include “Edelweiss”, “My Favorite Things”, “Climb Ev’ry Mountain”, “Do-Re-Mi”, and the title song, “The Sound of Music”. There are a number of lesser known songs as well. The stage version has a few songs that were not in the movie and vice versa. FMT’s production keeps the best songs unique to the stage version, and adds a couple written for the movie to make the show more familiar to newer audiences. Continue reading
TheatreWorks is no stranger to world premieres, or even to working with the powerful father-son artistic duo of Stephen and Scott Schwartz. Lest audiences think that the current TheatreWorks production of The Prince of Egypt is routine in any way, they can rest assured that it is not. The show is adapted and expanded from the 1998 DreamWorks film of the same name, and conveys its story of biblical proportions in an immensely creative and captivating way while providing some breathtaking theatre. The Prince of Egypt tells the story chronicling the early life of Moses up through his awakening as one of the Hebrews on his quest to “let his people go.” The production is a world premiere that Mountain View audiences will savor for reasons that will be described shortly. What will be seen on stage; however, stems from a collaboration that breaks new ground for TheatreWorks. The stage adaptation by Stephen Schwartz and Philip LaZebnik is being mounted in collaboration with the acclaimed Fredericia Teater in Denmark. Once the Mountain View run completes, Diluckshan Jeyaratnam (Moses) will head back to his homeland to star in the European portion of this co-world premiere in both Fredericia and Copenhagen, telling the story in both Danish and English beginning in April 2018.
What makes this production so spectacular? It’s all in the storytelling. The cast is a talented, diverse, international troupe that explodes with the grandeur and precision this story demands. The grand scale, with empires and monumental physical elements from the Egyptian pyramids, to the river Nile, the expansive desert, and the Red Sea are well-known, and generally not seen on stage. In a film, these can be included directly, but on stage, while they could be projected, a far more creative approach can also be applied. Per director Scott Schwartz:
“We call on cloth, light, and dance to represent water, fire, plagues, and more.”