By Ande Jacobson
Now that it’s December, it’s time to embrace the plethora of musical celebrations covering the area. While there are numerous concerts and stage productions to choose from, there are two in the South Bay that are not to be missed. Not only are they guaranteed fun for the entire family; they are free! Continue reading
By Ande Jacobson
It might feel like we’ve been pushed Through the Looking Glass lately, but rather than fretting over what might be, join Peninsula Youth Theatre at the Mountain View Center for the Performing Arts for a fun-filled trip to Oz. PYT’s production of The Wizard of Oz opens this Saturday and runs through 20 November in a delightfully fanciful journey with all your favorite characters. Join Dorothy, Scarecrow, Tinman, Glinda, the Wicked Witch, the Munchkins, the Winkies, and the Wizard himself in a stage production that has everything the movie had and more. Continue reading
By Ande Jacobson
The Redwood Symphony is opening its 2016-2017 season by going into new musical territory (for this orchestra anyway). Saturday night’s season opener will be a partially staged, fully orchestrated performance of Kurt Weill and Bertolt Brecht’s satirical, political operatic assault – Rise and Fall of the City of Mahagonny. Mahagonny was first presented in its entirety in 1930, though a smaller concert work featuring a subset of the songs debuted a few years before. The full work, which will be sung in English, lampoons both opera and politics, the latter being particularly relevant today. Maestro Kujawsky had the privilege of playing in the orchestra for a production of this opera while in graduate school and has looked forward to someday conducting it himself. He carefully selected this program slot as the perfect time to realize his dream. Continue reading
By Ande Jacobson
Who doesn’t love a tangled murder mystery? SBMT has one in City of Angels, complete with a full orchestra highlighting all the twists and turns in the story of a 1940s detective novel being transformed into a Golden Age Hollywood movie. This show (with book by Larry Gelbart, music by Cy Coleman, and lyrics by David Zippel) captures the film noir feel of the period, embellishes it with witty dialogue and a classy jazz score, and neatly packages it into an evening of exquisite theatre. Continue reading
By Ande Jacobson
The Pear’s 100th production is a repertory rotation of two politically charged plays, The Guys, by Anne Nelson (reviewed on A Good Reed Review here), and Veils, by Tom Coash, which is the subject of this review. Veils follows two female Muslim students at American Egyptian University (modeled after American University in Cairo) – an American named Intisar (Amani Dorn), and an Egyptian named Samar (Naseem Etemad). Coash has taught playwriting at numerous universities including the American University in Cairo. Drawing from his experience there, he’s compressed several events from the Arab Spring into this story about these two women. Continue reading
By Ande Jacobson
September 11, 2001. That’s a date that generally evokes a shudder from many both here and abroad. Many Americans remember with extreme clarity where they were when they heard about the attacks, and at the time felt powerless to do anything other than watch or listen in horror as the tragic events unfolded, hoping that it was all a bad dream. The Pear presents Anne Nelson’s play, The Guys, in a run that includes the 15th anniversary of 9/11. Nelson wrote the piece in only nine days during the fall of 2001, describing a very personal account of two people who would have otherwise never met but for the tragic events that threw them together. Continue reading
By Ande Jacobson
This event is going to be big, so big in fact, that the Redwood Symphony’s normal home at Can᷉ada College can’t contain the excitement, or the ensemble. As a result, the San Mateo Performing Arts Center will welcome the expanded orchestra – including far more woodwinds than are usually seen, an extra brass band, two harps, a mandolin, and an organ – combined with vocals from the Masterworks Chorale, the Bay Area Festival Chorus, a renowned children’s chorus, and eight exceptional vocal soloists for one night only on Saturday, 30 July 2016. All told, over 200 musicians will grace the stage for this extravaganza. This musical mob will present Gustav Mahler’s Symphony No. 8 in E-flat major, nicknamed the “Symphony of a Thousand”. Continue reading
By Ande Jacobson
Have you ever considered how one might cure intentional death? That’s an odd way to put it – intentional death. That might bring suicide to mind, but as Justin Capps (Atticus Shaindlin) explains to George (Emily Liberatore),
“Suicide implies a crime …. It’s [intentional death] not a crime. Almost every time, it’s an illness that causes the act. I’m trying to cure it.”
Curing intentional death requires examining what’s behind it, which of course means exploring the attitudes and actions surrounding mental illness. That’s the central theme in A Theatre Near U’s world premiere of Tony Kienitz’s new musical, A Beautiful Glass, and it is, in a word, smashing. Continue reading
By Ande Jacobson
There is one thing that we all have in common. As long as we live, we continue to change as we age. With age, comes experience, perhaps wisdom, and a measure of perspective, but what of our independence and abilities? After the summer of adulthood, does the velocity increase exponentially in the autumn of life? TheatreWorks is excited to present one answer to that question with the regional premiere of Eric Coble’s 2014 play, The Velocity of Autumn, which closes its 46th season in style with a delicious slice of life to which we can all relate. Continue reading
By Ande Jacobson
What is Peninsula Youth Theatre’s Seussical? Imagine 15 Dr. Seuss stories wrapped up into one coherent tale complete with our friends The Cat in the Hat, Jojo the Who, Horton the Elephant, Gertrude McFuzz, Mayzie La Bird, and a host of other Seussian creations alive on stage. Then imagine traveling with them from the Mountain View library to the Jungle of Nool and to the planet of Who, watching the adventures unfold in bright colors and song.
A Good Reed Review 