The Sweeney Todd orchestra adventure

By Ande Jacobson

While I have no plans to return to performance myself, I recently had the privilege of attending the first orchestra rehearsal for Sunnyvale Community Players’ (SCP) upcoming production of Sweeney Todd, not as a player, not as the music director, but as a very interested observer. I arrived early as the orchestra members trickled into the lobby of the theater to assemble the ensemble. Once everyone was in place, some of the players were noodling a bit or practicing some of the challenging sections of their parts while others were talking quietly. Eventually, the music director arrived carrying an amp for one of the keyboard players. He set up the amp, handed out a revised cut sheet, and then took his place in front of his orchestra to begin the rehearsal at the top of the score. Music director Val Zvinyatskovsky was the youngest person present at the tender age of 17, and yet he had the attention and command of the room. While it was the first time they had come together in this particular ensemble, everyone was ready to work. Continue reading

My magical, musical journey: Part 6 – outside challenges

By Ande Jacobson

My journey through Part 5 of this series hasn’t been all that unusual. Like many others I studied music throughout my childhood and college years, and even though I pursued a lengthy career in the sciences, I never left my music too far behind. I was fortunate to live in an area where musicians of all levels could find opportunities to play and continue to grow musically no matter their primary career paths.

The pit orchestras in which I’ve played or directed have been composed of talented musicians of all ages including advanced young music students and adults from a wide range of professions, some musically related, some not. Beyond straight music endeavors, the San Francisco Bay Area enjoys a vibrant theater community at all levels that draws large, loyal, local support. The community of musicians that supports the musical theaters has thrived for decades … until that fateful year, 2020, which brought unprecedented challenges. Continue reading

The role of the pit musician in musical theatre

OUaMWatchingWithOrchBy Ande Jacobson

Imagine that you have gone to the theatre to see a performance of that Rodgers and Hammerstein classic, The King and I. You’ve been sitting in the auditorium for a few minutes before curtain reading through the program, and you take note of some of the cast members you may know as you read their biographies. Continue reading