Join WVLO for FIDDLER ON THE ROOF opening on 9 November

Fiddler_FB_cover

By Ande Jacobson

The village of Anatevka has taken over the stage at the Saratoga Civic Theater as final preparations are under way for West Valley Light Opera’s FIDDLER ON THE ROOF. The excitement continues to build as opening night nears. The show is full of familiar songs such as “Tradition”, “If I Were a Rich Man”, “Sunrise, Sunset”, “To Life!”, and “Sabbath Prayer”. Come see dances such as the “Bottle Dance”. Enjoy the gentle humor and rousing celebrations by the exuberant villagers and be touched by their hope and spirit in the face of tragedy. Tickets are selling well, but WVLO would love to see a full house for the gala opening night on 9 November 2013. Please call 408-268-3777 or visit the WVLO website at http://www.wvlo.org to order your tickets now. You’ll be glad you did. Continue reading

WVLO’s “Fiddler on the Roof” opens in November

brook-michelbergBy Ande Jacobson

“A fiddler on the roof. Sounds crazy, no? But in our little village of Anatevka, you might say every one of us is a fiddler on the roof, trying to scratch out a pleasant, simple tune without breaking his neck…how do we keep our balance? That I can tell you in a word – tradition!”

West Valley Light Opera is proud to present its production of Fiddler on the Roof this November and December in Saratoga, CA. Continue reading

“If you want to make God laugh, tell Him your plans”

MGL FamilyBy Ande Jacobson

As she was researching shows for this 13th season, the title Making God Laugh jumped out at Tabard’s executive director, Cathy Spielberger Cassetta. Intrigued, she started corresponding with the playwright, Sean Grennan. As she says in her program notes, she found “merit, wisdom, and folly in it” and decided to add this little yet-to-be-published gem as one of the “Twists” to the season. Grennan describes his play as a “dramedy that takes place in four scenes at a family home, each ten years apart.” First is a Thanksgiving dinner in 1980 and the play continues with one scene per decade until spring of 2010.  Grennan too has a program note and says “all playwrights have to write their Family play.” This is his, and Grennan’s characters are each familiar in some ways. The script is very funny, and he uses several pop-culture references both in musical quotes (e.g., “Jet Song” from West Side Story, “Everything’s Comin’ Up Roses” from Gypsy, Lightfoot’s “If You Could Read My Mind”) along with some period-specific failures (e.g., AMC’s Pacer, Yugo, Enron) to help hammer home the points he’s making. Continue reading

Magic from within

By Ande Jacobson

Everyone searches for meaning at some point in their lives. Some aspire to greatness, some aspire just to survive, and others are somewhere in between. Sunnyvale Community Players presents Pippin, the Roger O. Hirson and Stephen Schwartz musical that is very loosely based on the life story of Pippin the Hunchback, son of Charlemagne, as he searches for meaning in his life. The story is extremely disjoint. It has generous doses of farcical humor and cheap magic tricks (reminiscent of Godspell) mixed with threads of meaning if you look below the surface. Continue reading

Exploring the varied results of the Reardons’ rearing

miss-reardon-FBBy Ande Jacobson

Paul Zindel’s And Miss Reardon Drinks a Little isn’t your typical play although the plot is largely drawn from Zindel’s experience. He credits his early years with his eventually becoming a writer. He often retreated into his imagination to escape the drudgery of his family life after his father deserted them. He also had fortuitous timing as an undergraduate in taking a creative writing class taught by playwright Edward Albee who later became Zindel’s valued mentor and friend. Although Zindel majored in chemistry, spent some time in industry, and later taught high school chemistry, he indulged his love of writing in his spare time. After his death, his New York Times obituary reported, “…he never went to the theater, he said, until he was already a published playwright.” Continue reading

All’s fair in families and politics

Other Desert Cities 1_MKitatokaBy Ande Jacobson

TheatreWorks opens the 2013/2014 season with another Regional Premiere – Jon Robin Baitz’ Other Desert Cities.  Baitz’ title was inspired by a California freeway sign and two cities in the Middle East. The freeway sign is an odd one along Interstate 10 near Palm Springs where most of the story takes place; the cities are Baghdad and Kabul in reference to a war that figures prominently in the plotline. Topical, volatile, and political only partially describe the tone of this production. Between the witty writing, dramatic theme, superb cast, and gorgeous set, this production is a find equal to a lush desert oasis. There’s no doubt that audiences are in for a gripping evening of theatre. Continue reading

Finding happiness where you can

sst-hd-6By Ande Jacobson

Samuel Beckett has been described as an Irish avant-garde novelist, playwright, theatre director, and poet known for his use of dark humor, absurd situations, and extreme precision in his writing. The second stage production of Stanford Summer Theater 2013 is Beckett’s Happy Days, a play that’s billed as a comedy “unparalleled in its comic precision and deep humor.” Some may quibble with that description, but for Beckett aficionados this is a “not to be missed” production. For those not so enamored, it could make for a very tedious evening. Continue reading

Kander and Ebb make the music go ’round

worldGoesRound-1By Ande Jacobson

Tabard Theatre Company starts its 13th season with The World Goes ‘Round, a musical revue featuring the works of John Kander and Fred Ebb. The show was conceived by Scott Ellis, Susan Stroman, and David Thompson who weaved an interesting musical journey using the Kander and Ebb oeuvre from the worlds of stage, film, and television. The original production premiered Off-Broadway in 1991 and went on tour in 1992. In its current form, the show features works from New York, New York; 70, Girls, 70; The Happy Time; The Rink; The Act; Woman of the Year; Liza with a Z; Kiss of the Spider Woman; Funny Lady; Chicago; Cabaret; Zorba; Flora, The Red Menace; and two original songs written specifically for the revue. As director Diane Milo points out in her program note, the performers in this Tabard production have “all done the show before … and keep coming back for more.” Continue reading

The Devil is in the details

Damn Yankees 8_DavidAllenBy Ande Jacobson

The boys of summer keep the balls flying and the bats swinging, and Foothill Music Theatre combines with Foothill College Theatre Arts to capture the spirit of baseball in their energetic production of a longtime Broadway favorite, Damn Yankees. Director Tom Gough has large shoes to fill as he grabs the reins after Foothill Music Theatre thrived under its originator, Jay Manley, for over 30 years. This year for the first summer production under his guidance, Gough states in his program notes that he gravitated toward a show that combined three of his favorite things: baseball, live theatre, and the Faust legend. Gough’s drive and love of the theatre program have kept the FMT summer tradition alive for audiences to enjoy. Continue reading

Dragon finds the right car

becky2By Ande Jacobson

Life can be a very windy road, and in Dragon’s current production of Steven Dietz’s play, Becky’s New Car, we travel some of that road with our protagonist Becky Foster (Mary Lou Torre).  In her opening monologue Becky tells us that when a woman “says she wants a new car, she wants a new life,” and she takes some very interesting turns. Continue reading